We’re not having the greatest Winter for skiing. But we have enough to go up and have some fun. Of course we’re known for our Wintersun. It’s true. We normally ski in bright sunlight with blue-black skies. I love that for black and white shots.
I get up there early and this time of year, the shadows are long and dark. It makes for some wonderful designs and patterns. I just visited Marcus’ website and read about how he feels like a kid in a sandbox when the light plays across some strong architectural features and he has camera in hand. I understand completely. And that’s how I see things when I get up into the mountains early. This is the best time of year to be up there and shooting. These strong dark and light patterns are seductive.
Don’t laugh too hard, but I like to carry the Sony HX-99 for these excursions. Purists might not take it seriously, but it makes carrying a camera into that environment possible. It does shoot RAW and that’s important, particularly for a camera that only has a 1/2″ sensor. But I am always amazed at what a good job it does. I don’t know how well the images would look if they were enlarged a lot. But for smaller prints, I bet they’d be fine. Considering that I was in motion on the ski lift for these pictures, I’m pleased with the results. I expected blurs! The HX-99 has all of the adjustments that I need and want and the layout of the controls is almost identical to the A6500 and the A7R3. It fits in the front of my ski jacket. If this camera were any smaller, I wouldn’t be able to operate it. It’s a miracle of miniaturization. Nice job Sony.